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To Save Music In resignation to the tribulation of personal negation, and in indignation at dehumanization from the infiltration of creative mechanization and academic sterilization, and perpetuation by crass commercialization of formulaic regimentation and public robotization, and on observation in any conurbation, of the escalation of audience palpebration and lassitudenous nutation, adventitious illustration of their furtive frustration in seeking sublimation for any sensation by pedestrian aspiration to non-appreciation and pseudo-sophistication, (very ovine malversation and insidious decrimentation of ratiocination) my fearful anticipation of mindless continuation without evaluation, (other than aeonian oration, specious vaticination and apocryphal adumbration) demands consideration - complete evagination avoiding lubricious libration or divagation, equivication, or tergiversation - that would bring transmogrification to the whole obfuscation. Hepatic descantation reflecting amphigoric cogitation should be the incunabulaion of self-defenestration by any malicious reification of papilionaceous stultification. Salvific attenuation, my sesquipedalian declaration of pellucid confutation, in solemn obligation to the ultimate preservation of theodic orientation is a deep adjuration, not objurgation, but a dithyrambic obsecration that we give animation to necrotic cerebration by finding warm inspiration for a pristine manifestation of free rumination and true revelation: 1.) Make affirmation of aeolian emancipation from gothic regulation. 2.) Make saturnalian extirpation of blind imitation with vertiginous presentation of numinous elevation. 3.) Make spontaneous creation a bold retaliation of joyful celebration. (back to Preface) |